Work in Progress (WiP) is a meeting place for young people aged 16 - 25 who need support in taking the step from being ‘hobby creatives’ to becoming professional cultural practitioners.
In 2023 the Lyon Metropole conducted a study to better understand the links between culture and youth, and identified a strong desire among young people to engage in cultural actions and access cultural spaces.
Turku aims to increase citizens’ participation, so the city has been implementing participatory budgeting since 2020.
The City of Munich supports the #femaleheritage initiative to address significant gaps in cultural remembrance, particularly regarding the exclusion of women from collective memory.
In 2022, the city of Rennes and Rennes Metropole signed a charter with the French Ministry of Culture (through the Regional Directorate for the arts and culture DRAC Bretagne) aimed at advancing gender equality in the cultural and artistic fields. This charter is the first of its kind in France.
Launched in 2019 through an initiative of the Department of Cultural Promotion, the GAS seal defines the principles guiding all cultural projects developed or supported in Terrassa. It ensures that these projects are free from gender discrimination and that they promote a non-sexist and non-androcentric vision of the cultural sphere.
How can cities, as service providers, create principles of safe spaces together? The city of Espoo has adopted principles for safer cultural spaces across all of its services, including libraries, cultural centres, the KAMU Espoo City Museum, 17 art schools and theatres, and concerts by the Tapiola Sinfonietta.
The city of Cologne established a dedicated department for cultural participation in 2018 to strengthen its long-term commitment to inter- and transcultural diversity, inclusion, gender equality, LGBTQI+ visibility, and other socially relevant issues.
Bonn’s Sustainable Cultural Strategy 2035 recognises culture and sport as tools for climate action and social inclusion, directly supporting the city's goal to become climate-neutral by 2035.
As part of the Equal Oulu2026 initiative, and throughout 2024, Café Romano hosted biweekly events at Oulu10, an accessible venue, where Roma women led presentations on topics such as Roma history, clothing, music, and traditions. The aim was to create a welcoming and educational space, to increase visibility, support cultural expression, and involve Roma in planning and implementing cultural activities for Oulu European Capital of Culture 2026.
In Braga, the Portuguese Capital of Culture 2025, five disused kiosks have been transformed into exhibition spaces, amplifying underrepresented voices from across the city.
The Agent for Change role raises awareness among policymakers, public officials and private employers on racial equality to create an encouraging and welcoming environment for Black, Indigenous and People of Colour (BIPOC) to participate in different sectors.
Bologna, a city renowned for its rich cultural heritage, has developed an integrated strategic plan for its civic museums (2025–2029) to respond to emerging challenges in cultural tourism, public health, sustainable finance, and civic engagement.
The city of Lille recognises the important role of culture in supporting well-being, health, and social inclusion. In response, it is developing a targeted cultural offer that connects cultural, health, and social policies across municipal services and local organisations.
Since 2022, Rennes and Rennes Metropole have tested museum prescriptions allowing patients, upon recommendations by health professionals’ recommendation, to access free cultural activities at partner museums and art centres.
In 2020, the city of Cluj-Napoca identified an increasing need to address mental health challenges and burnout, issues that had been present before but were significantly intensified by the COVID-19 pandemic.
n Toulouse Metropole, two municipal cultural centres are particularly engaged in taking creative climate action: the Quai des Savoirs (Platform of Knowledge) and the Museum of National History. Both are part of the department of scientific, technical and industrial culture of the Metropolis.
he city of Kortrijk has made significant strides in fostering a more inclusive and diverse cultural scene, with supporting initiatives like Qace [kweis, queer space] which began as a group of young people looking for a safe(r) queer space in the cultural sector.
n 2024, the city of Espoo launched a series of workshops where elderly residents in sheltered housing units shared their memories of the city. This initiative aimed to preserve Espoo’s history while celebrating the contributions of its senior population.
Inspired by EU-funded exchanges on creative ageing, the City of Munich launched a pilot project in 2024 aimed at improving the health and well-being of people in care facilities.
Helsinki is actively promoting creative ageing and taking comprehensive measures to ensure that cultural rights are upheld for people of all ages and in all life situations.
Tallinn supports professional cultural projects that are developed with a specific target group in mind and in consultation with representatives of the target group or relevant experts to improve accessibility.
The City of Nantes is implementing a cultural policy strategy where residents are key players and contributors. Creating accessible opportunities for meaningful experiences, combatting isolation and enhancing the quality of life for the most vulnerable are part of the local political priorities, based on the principles of social justice.
The Center Rog Creative Hub, funded by the City of Ljubljana, is a dedicated space covering 8,500 m2, supporting entrepreneurs in applied arts, crafts, design and architecture, with a strong focus on sustainable development.
In Espoo, cultural services are a key part of the city’s strategy for sustainable and inclusive development, guided by the city as a service approach and as part of the CultureEspoo2030 programme. This long-term vision sees culture and art as essential to promoting equality, wellbeing, and a sense of community.
Amsterdam places inclusion at the heart of its cultural policies, aiming to broaden and diversify arts and culture across the city. Between 2021 and 2024, all municipally funded cultural institutions developed inclusion action plans covering personnel, programming, partnerships and audiences.
The city of Gijon launched the Música Guiada (Guided Music) initiative to make classical music accessible to new audiences, particularly those who do not usually engage with this type of cultural activity.
To address cultural access gaps in suburban areas and engage diverse audiences, the city of Turin and Fondazione Compagnia di San Paolo developed the Cultura dietro l’Angolo (Culture around the Corner) initiative.
In February 2025, for the first time in France, a fine arts museum opened in the heart of a deprived neighbourhood in Rennes, reflecting the city’s desire to rethink urban spaces and foster inclusivity.
The municipality of Guimarães, the 2026 European Green Capital, believes in the fundamental role culture plays in the dynamics of urban regeneration.
Since 2012, Florence has developed Estate Fiorentina (the Florentine Summer) into a six-month, city-wide cultural festival that promotes inclusion, accessibility, and social cohesion.
The Municipality of Odunpazari has undertaken many steps to make culture more accessible in the city. Firstly, all events organised by the municipality are open to the public and free of charge.
As part of Manchester's new cultural framework, Always, Everywhere: Manchester’s Cultural Ambition 2024-2034, the city is committed to fostering an inclusive and sustainable cultural environment.
Following a six-year closure for major refurbishment and redisplay, Glasgow’s Burrell Collection reopened in 2022.
As part of its climate efforts, Munich is committed to becoming climate-neutral by 2035 and is involved in the EU Mission ‘100 Climate-Neutral and Smart Cities by 2030’. The city has initiated numerous projects, including within cultural institutions focused on reducing the sector’s carbon footprint.
SAIL supports Leeds Cultural Investment Programme (LCIP) organisations to collect and report on their environmental data, with resources scaled to the size of the organisation and level of funding received from LCIP.
After signing of the Call to Action, the City of Lille identified 51 commitments to promote the transformation of professional practices in the cultural sector.
The Innovation Lab – Training for Transition(s) is an initiative from Uppsala's long-term vision for sustainable urban transformation.
In 2023 Lyon Metropole co-organised a culture and climate convention with the City of Lyon, offering a platform for stakeholders to exchange ideas and collaborate.
The city of Turku aims to ensure that biodiversity and ecological issues are widely recognised and taken seriously amongst their own staff and local cultural actors. To do so, Turku organises education for administrative staff and partner organisations.
Designed for cultural professionals in Strasbourg and its Eurometropole, the Climate Class aims to raise awareness of environmental issues and provide practical tools to take effective action.
Zero Carbon Culture is a guide to help Manchester’s cultural organisations go green. The online guide was produced for Manchester City along with Julie’s Bicycle, a not-for-profit supporting environmental action across the arts.
FeelFlorence is a free application which offers visitors unexpected itineraries. It facilitates the discovery of new experiences including traditional and artisan workshops and recommendations for lesser-known museums.
Toulouse's cultural institutions are re-evaluating their technological approach to reducing their carbon impact.
To better align cultural events with its sustainability and inclusion goals, Bristol City Council redesigned its 2025 event application process.
The Public Art Unit of the Uppsala Municipality launched a climate impact calculation tool for public art designed to help reduce the environmental footprint of artistic projects.
In December 2022, the cities of Leipzig and Dresden joined forces with local organisations to develop a carbon calculator for the cultural sector that is free of charge and available to all cultural institutions and organisations in both cities.
To align with the Paris Agreement’s sustainability goals, the city of Amsterdam has committed to making all buildings, including its many monuments and heritage sites, more sustainable.
However, preserving the cultural and historical value of these buildings while introducing sustainability measures presents particular challenges.
The museum's new energy management systems, from geothermal and solar power to green roofs and intelligent building services, make it a state-of-the-art sustainable building.
District C in Guimaraes is a former factory space which has been transformed into hubs for science and creativity. It is at the forefront of achieving carbon neutrality as part of the NetZeroCities Pilot Programme.
A climate protection network for the independent cultural scene was founded in Leipzig in June 2024, marking an important step towards integrating environmental responsibility into the city’s vibrant creative ecosystem.
The inaugural edition of the Vienna Climate Biennale in 2024 encompassed a programme focusing on sustainability, art and alternative approaches to climate change. The event positioned the city of Vienna as a pioneer in addressing current ecological challenges through culture.
Greentrack Ghent helps members collect environmental performance data, create action plans, and implement sustainable initiatives, focusing on areas like mobility, waste, food, water and energy.
Inclusivity, diversity, sustainability and increasing citizen’s participation were major priorities in the development and implementation of Enschede’s new cultural policy and led to instrumental partnerships between the municipality and local cultural partners.
The annual culture awards have a dedicated award called ‘Made in Manchester’, which recognises the unique and amazing forms of creativity that are found in Manchester.
The City of Tampere’s online Pirkanmann kulttuuripankki (the Pirkanmann Culture Bank), showcases local artists and cultural creators, with the aim to increase their visibility, employability, and opportunities for collaboration.
The municipality of Arezzo aims to make cultural activities as locally produced as possible. This approach encompasses all aspects, from sourcing materials and consumables for organising events to supporting local artists and creators across all artistic disciplines.
To meet the EU’s 2050 climate neutrality goal, Gijon focuses on educating younger generations to shift cultural attitudes towards sustainable mobility.
Uppsala is committed to improving sustainability across all sectors, including mobility to cultural events. Carried out as part of a collaboration between the municipality’s Departments of Culture and Communications, Res hit hållbart (Travel here sustainably) is an initiative launched in 2024.
Turku is addressing the environmental impact of public transportation linked to cultural participation by introducing an innovative joint ticketing system that combines access to cultural events and public transport.
Rennes Métropole partnered with the Shift Project (a think tank of national experts on decarbonisation from all backgrounds and sectors) to make the city’s cultural policy more eco-friendly, particularly regarding the mobility of visitors to cultural facilities.
In recent years, Rotterdam has worked to make its festivals and events increasingly sustainable. With nearly five million people attending these events each year, festivals offer a significant opportunity to promote eco-friendly practices and raise awareness about sustainability.
Kharkiv actively promotes biodiversity conservation through educational campaigns at various events. In recent years and despite the war, the city has continued the "Summer with the Library" project aimed at children and teenagers.
Fr over 20 years, Bunker, a Ljubljana-based NGO supported by the city, has embedded ecological thinking into the organisation of the international Mladi Levi Festival.
Every year from May to October, Amiens hosts the Hortillonages International Garden Festival, welcoming visitors to follow contemporary art trails across a group of garden blocks on the banks of the Somme river. The festival, located in a 300-hectare natural site in the heart of the city, supports architectural and artistic creations.
The Most Sustainable European Capital of Culture initiative, running from 2020 to 2023, aimed to help event organisers reduce the carbon footprint of large-scale cultural events in the region of Oulu.
The Vienna Short Film Festival has introduced an innovative and meaningful alternative to traditional trophy formats. By dedicating a tree in Vienna to the winners, the festival is sending an important signal for climate protection.
In 2023, Birmingham Rep Theatre, with the support of Birmingham City Council, declared a climate emergency and joined the Culture Declares movement to reduce its environmental impact.
Bordeaux’s cultural recycling centre is France’s first municipal recycling centre dedicated to cultural institutions. Housed in a WWII submarine base, it collects and redistributes unused exhibition materials across 12 cultural institutions in the city.
The Museum of Arts in Nantes places a strong emphasis on sustainability, embedding it as a guiding principle across its operations.
To address sustainability and resource management challenges, the Gijon Municipal Museum Network supports the reuse of museum material across its eight museums.
Lille’s Experience Goya pioneered sustainable exhibitions, limiting artwork loans, applying the 6Rs, improving energy use, and measuring carbon footprint.